There are many different editions of The Story of Art, but I’m happy with my slightly scruffy twelfth-edition, which my mum received for Christmas in 1975. She passed it on to me about eight years ago, when I expressed an interest in art history. It’s taken awhile, but I’ve finally managed to read the whole book.
I can’t say that I’m now an expert, but this book has given me a well-rounded introduction to the history of art, starting with the cave paintings of the prehistoric and primitive peoples. From there we learn about Ancient Egyptian art, then travel to more adventurous art in Greece. We learn about how art was born, how it changed, when it was stifled and when it thrived. Gombrich takes the reader on an unforgettable journey through the different ages, explaining how art adapted for different purposes, how artists experimented and how other nations and generations influenced the next stage in the history of art. Continue reading


When I saw this in the Oxfam bookshop at only £2.49, I simply had to grab it before someone else did! I was told by a fellow volunteer that Alias Grace was ‘the most accessible Atwood book’. Not that I was worried – I’ve never had a problem getting stuck into one of her books before, in fact it’s always been the opposite. So, I was quite confused with how long it took me to start enjoying this book. Was it me? Alias Grace has all the ingredients for an unputdownable, thrilling read – a real life, infamous Canadian murder, a woman incarcerated for years, while her supposed paramour is hanged – so why was I finding it so hard to get into?

